Wednesday 30 May 2018

Holes and Slashes - on Sgrafo Modern

Don't you love how versatile the West-German vases are? They can be bold and colorful, Organic and natural, but also sleek and elegant.

I also love it when I find something new, something I have never found in the wild before. A few weeks ago I was at a local thrift store that I don't visit often, because it is about a 30 minute bike ride away. Even though it's far, I have found some great things there (like a vintage Moschino blazer for 2 euros!), although not necessarily a lot of vintage pottery.

This time, however, I spotted the cutest little vase. A small, delicate but modern, white porcelain vase with slashed details in pink and gray. I could see it had some age, and it is stamped Sgrafo Modern.


The slashes in this little vase reminded me of the paintings by Lucio Fontana.

In the past I have had some elephants by Sgrafo, which were really cute. Like this vase, they were really high quality porcelain: beautiful design, and nicely made.

Sgrafo atelier - Set of 2 white porcelain elephants - mid century modern - West Germany - German

Anyway, I decided to bring the little vase home. Time for some research!

The West-Germany pottery bible Keramik der 50er Jahre by Horst Makus told me that this vase was designed by Peter Müller, who took over the Sgrafo factory from his father, together with his brother, in 1955. On the website sgrafo.blogspot.com I found some additional information about the slices in the vase:

He developed a new technique of making porcelain […]. He put two, to three layers of porcelain (with varying colours) on top of one another and then notched into the material. This method allowed the different colors of the layers to become visible. This patented technique is called sgrafo, and he was the only one who realized it in the 50s and 60s.

Now, let's go back to Lucio Fontana for a minute. In 1949 he started on what would later become the series Buchi (holes) and Tagli (slashes): monochrome (mostly white or gray) paintings with holes or slashes in the surface. He would often place a dark layer on the reverse of the canvas, so the darkness would show through the perforation. The Buchi started in 1949, the Tagli in the mid-1950s.
Lucio Fontana - Concetto Spaziale Attesse
Lucio Fontana - Concetto spaziale, Attese





















Sounds sort of similar, right?

Now, I'm not saying Peter Müller stole or even borrowed the idea from Fontana. In art and science it often happens that similar ideas pop up around the same time. Personally, I love that this happens! Even if the paintings were an inspiration, the sgrafo vases are beautiful in their own right. (By the way, Lucio Fontano actually made ceramics, and they are mostly very different, much more organic! )

Sgrafo is no longer in existence today. In 1995 Peter Müller retired. It was succeeded by the company ASA who make stylish, often white, ceramic housewares.

Some browsing on Etsy showed me that Sgrafo also made a wonderful little giraffe! I would love to come across one of those!

 Sgrafo giraffe