Catching a Christmas Bull by the Horns

I hope everyone had a great Christmas! Mine was lovely, with good company, and obviously way too much food! And gifts! As I already mentioned in my previous post, I was giving some vintage gifts, and I also received a stunning vintage gift from my parents: a Ruscha bull!

As I might have mentioned before, most of the West-German pottery pieces that I sell on Etsy come from my own collection. As I live in a smallish apartment in the middle of town, and my collection is rather large, there is no room to display everything (in fact, most of my collection is kindly on show at my parents house), but I still have a  small part of my favorite pieces on view in our own house.

My all-time favorites are still the famous Roth vases, which I will show you another day, but the ceramic bulls, made by Ruscha come at a very close second place.

Ruscha was founded by Rudolph Schardt in 1948, the name is a combination of the first few letters of his first and last name. The factory has been existence from 1948 until 1996, when the name and all the designs were bought by Scheurich. I'm not a 100% if they still do this nowadays, but Scheurich produced the Ruscha designs in the late 1990s and 2000s under the name Ruscha Art.

Two of the most important names (and especially relevant to the bulls and this post) are Otto Gerharz and Kurt Tschörner. Otto Gerharz was the production designer for Ruscha from 1951 until he started Otto Keramik in 1964. He is the man responsible for designing the famous and very desirable 'Vulcano' glaze. Most people see this glaze as the first step towards the later Fat Lava glazes that make West-German pottery so desirable today.

Kurt Tschörner was a designer for Ruscha, who created many of the shapes, including the famous 313 model in 1954. In the 1960s Kurt Tschörner designed a line of animals for Ruscha, including the magnificent bulls, that came in three different models. The model that I have in my collection also came in two different sizes, mine being the larger version.

The catalog, that has been generously made available by Forrest Poston on http://www.ginforsodditiques.com/rus.cat.cover.html shows that a large bull originally cost 45 Deutsche Mark, which was a lot of money back in the days. In comparison, the most expensive décor on a 313 vase was 10,90 DM. In 1966 the average yearly income in Germany was just under 10.000 DM, so spending 45 DM on a ceramic bull, must have been a luxury. Hence, these were probably not sold in large numbers, making them rare nowadays.

So can you imagine how happy I was when I unpacked this gorgeous bull? It has the most beautiful blue and purple shades on a gray background. It's absolutely the prettiest one in my collection. It'll sit very pretty next to my Vulcano glazed bull, that I bought at an auction house a few years ago.

One note of warning when you are thinking about collecting these: I think Ruscha have made these bulls from the 1960s up until they closed in 1996. As they aren't marked, it is (as far as I know) impossible to know if your bull was made in 1969 or 1996. Obviously certain glazes were only used during a certain period (I think the 'vulcano' glaze was only used in the 1960s for example, but I would have to do some more research to verify this), making it possible to date a piece. In addition to that, I have seen some bulls online with the Ruscha Art sticker, meaning they must be post 1996, and made by Scheurich with the original molds (the only other explanation is that Scheurich bought old Ruscha stock and marked them with their label, but I have no confirmation on this, that is just a guess on my side).

Please be aware that some of these bulls are (or at least were for the last few years, I cannot find them on their website anymore) being reproduced by Otto Keramik in several glazes, and can be purchased online, often for a much lower amount than on selling sites. Otto Keramik did not make these to deceive buyers, they are clearly selling these as new on their website. These glazes are rather different from the glazes that Ruscha or even Scheurich used, often much glossier. But I do think it's important information to have before you go out and buy a bull.

Last but not least, I would like to wish you all the best for 2014! I hope it'll be an awesome year, with lots of exciting finds.

Catching a Bullet Vase

I know I mentioned this before, but part of why I do this is because I LOVE going out and hunting for new items to add to my collection or shop. Once a month there is a huge second hand market close to my home that has about 250 to 400 stalls. The good thing about this fair is that the sellers often vary, so you won't run into the same (frustrating) chipped vase or that beautiful piece you cannot afford every single time.

Last weekend was the last fair of 2013, and in my experience the one before Christmas is often the best and busiest, both in number of sellers and number of visitors. Obviously that meant I had to be there early to catch the proverbial worm, so early that it was still dark when my alarm clock started ringing.

Even though it was early on a Sunday morning, I was glad I made the effort, because there was already a line forming to go in when I arrived. Smart little trick I picked up over the years, and that I would like to share with you now: directly walk to the end of the hall and start at the back! Most people will automatically start at first rows, so it will be more crowded there. At the back you'll have plenty of room to start your browsing session.

It was a good day indeed, as you can see I found loads of pretty things! From left to right you can see an original roll of seventies wallpaper, two American pyrex dishes from 1975 (very rare to find these in the Netherlands!), a yellow Sklo Union Bullet or Lens vase, a set of six shot glasses in original rack from the fifties or sixties by the german company Ruhrglas, a green Ruscha 346 vase, a vintage dalarna horse, and a Sklo union candlewax vase by Frantisek Peceny (the larger version).

Because it is almost Christmas, I was hoping to find some Czech glass from one of the factories grouped under the umbrella term Sklo union, as my mum is a collector of these vases. She particularly loves the Bullet or Lens vase, designed in 1955 by Rudolf Schrötter for Rosice glasswork, and produced from that year onwards. 

Her collection started with one yellow bullet vase that came from my grandma. I'm not a 100% sure, but I think my grandma might have actually bought it new during a trip to Prague in the seventies. However, my mum now has 14 small bullet vases in different colors, and the larger model in 7 different shades. They are presented on the windowsill, and they look lovely with sunlight shining through them. 

Originally these vases were made in 12 different colors: clear, turquoise, dark green, spring green, amber, yellow, citrin, light blue, mid-blue, cobalt blue, rosalin, amethyst, lilac, smoke. It is getting increasingly harder to find a color variation she doesn't own yet, so finding a yellow colored bullet vase, similar to the one that started it all, but this time in the large model, really made my day!