Catching a Christmas Bull by the Horns

I hope everyone had a great Christmas! Mine was lovely, with good company, and obviously way too much food! And gifts! As I already mentioned in my previous post, I was giving some vintage gifts, and I also received a stunning vintage gift from my parents: a Ruscha bull!

As I might have mentioned before, most of the West-German pottery pieces that I sell on Etsy come from my own collection. As I live in a smallish apartment in the middle of town, and my collection is rather large, there is no room to display everything (in fact, most of my collection is kindly on show at my parents house), but I still have a  small part of my favorite pieces on view in our own house.

My all-time favorites are still the famous Roth vases, which I will show you another day, but the ceramic bulls, made by Ruscha come at a very close second place.

Ruscha was founded by Rudolph Schardt in 1948, the name is a combination of the first few letters of his first and last name. The factory has been existence from 1948 until 1996, when the name and all the designs were bought by Scheurich. I'm not a 100% if they still do this nowadays, but Scheurich produced the Ruscha designs in the late 1990s and 2000s under the name Ruscha Art.

Two of the most important names (and especially relevant to the bulls and this post) are Otto Gerharz and Kurt Tschörner. Otto Gerharz was the production designer for Ruscha from 1951 until he started Otto Keramik in 1964. He is the man responsible for designing the famous and very desirable 'Vulcano' glaze. Most people see this glaze as the first step towards the later Fat Lava glazes that make West-German pottery so desirable today.

Kurt Tschörner was a designer for Ruscha, who created many of the shapes, including the famous 313 model in 1954. In the 1960s Kurt Tschörner designed a line of animals for Ruscha, including the magnificent bulls, that came in three different models. The model that I have in my collection also came in two different sizes, mine being the larger version.

The catalog, that has been generously made available by Forrest Poston on http://www.ginforsodditiques.com/rus.cat.cover.html shows that a large bull originally cost 45 Deutsche Mark, which was a lot of money back in the days. In comparison, the most expensive décor on a 313 vase was 10,90 DM. In 1966 the average yearly income in Germany was just under 10.000 DM, so spending 45 DM on a ceramic bull, must have been a luxury. Hence, these were probably not sold in large numbers, making them rare nowadays.

So can you imagine how happy I was when I unpacked this gorgeous bull? It has the most beautiful blue and purple shades on a gray background. It's absolutely the prettiest one in my collection. It'll sit very pretty next to my Vulcano glazed bull, that I bought at an auction house a few years ago.

One note of warning when you are thinking about collecting these: I think Ruscha have made these bulls from the 1960s up until they closed in 1996. As they aren't marked, it is (as far as I know) impossible to know if your bull was made in 1969 or 1996. Obviously certain glazes were only used during a certain period (I think the 'vulcano' glaze was only used in the 1960s for example, but I would have to do some more research to verify this), making it possible to date a piece. In addition to that, I have seen some bulls online with the Ruscha Art sticker, meaning they must be post 1996, and made by Scheurich with the original molds (the only other explanation is that Scheurich bought old Ruscha stock and marked them with their label, but I have no confirmation on this, that is just a guess on my side).

Please be aware that some of these bulls are (or at least were for the last few years, I cannot find them on their website anymore) being reproduced by Otto Keramik in several glazes, and can be purchased online, often for a much lower amount than on selling sites. Otto Keramik did not make these to deceive buyers, they are clearly selling these as new on their website. These glazes are rather different from the glazes that Ruscha or even Scheurich used, often much glossier. But I do think it's important information to have before you go out and buy a bull.

Last but not least, I would like to wish you all the best for 2014! I hope it'll be an awesome year, with lots of exciting finds.

Catching a Bullet Vase

I know I mentioned this before, but part of why I do this is because I LOVE going out and hunting for new items to add to my collection or shop. Once a month there is a huge second hand market close to my home that has about 250 to 400 stalls. The good thing about this fair is that the sellers often vary, so you won't run into the same (frustrating) chipped vase or that beautiful piece you cannot afford every single time.

Last weekend was the last fair of 2013, and in my experience the one before Christmas is often the best and busiest, both in number of sellers and number of visitors. Obviously that meant I had to be there early to catch the proverbial worm, so early that it was still dark when my alarm clock started ringing.

Even though it was early on a Sunday morning, I was glad I made the effort, because there was already a line forming to go in when I arrived. Smart little trick I picked up over the years, and that I would like to share with you now: directly walk to the end of the hall and start at the back! Most people will automatically start at first rows, so it will be more crowded there. At the back you'll have plenty of room to start your browsing session.

It was a good day indeed, as you can see I found loads of pretty things! From left to right you can see an original roll of seventies wallpaper, two American pyrex dishes from 1975 (very rare to find these in the Netherlands!), a yellow Sklo Union Bullet or Lens vase, a set of six shot glasses in original rack from the fifties or sixties by the german company Ruhrglas, a green Ruscha 346 vase, a vintage dalarna horse, and a Sklo union candlewax vase by Frantisek Peceny (the larger version).

Because it is almost Christmas, I was hoping to find some Czech glass from one of the factories grouped under the umbrella term Sklo union, as my mum is a collector of these vases. She particularly loves the Bullet or Lens vase, designed in 1955 by Rudolf Schrötter for Rosice glasswork, and produced from that year onwards. 

Her collection started with one yellow bullet vase that came from my grandma. I'm not a 100% sure, but I think my grandma might have actually bought it new during a trip to Prague in the seventies. However, my mum now has 14 small bullet vases in different colors, and the larger model in 7 different shades. They are presented on the windowsill, and they look lovely with sunlight shining through them. 

Originally these vases were made in 12 different colors: clear, turquoise, dark green, spring green, amber, yellow, citrin, light blue, mid-blue, cobalt blue, rosalin, amethyst, lilac, smoke. It is getting increasingly harder to find a color variation she doesn't own yet, so finding a yellow colored bullet vase, similar to the one that started it all, but this time in the large model, really made my day!

International Collectors Fair Utrecht - Verzamelaarsjaarbeurs

We've got a fab announcement! As we liked the fair we did earlier this month so much, we've decided to book a stand for one of the biggest vintage events in Europe! We will be present at the Verzamelaarsjaarbeurs aka International Collectors Fair in the Jaarbeurs in our hometown of Utrecht on November 23 & 24.

This fair consists of 5 huge halls chockfull of everything you can ever imagine you wanted to collect, ranging from toys, albums, stamps, scifi, and of course loads of vintage! There is even a separate section for design from the fifties/sixties/seventies, where we will be located. We'll be bringing plenty of Fat Lava pottery and other European ceramics and glass, and more. Hope to see you there!

Vaseomania zal aanwezig zijn op de Verzamelaarsjaarbeurs op 23 & 24 november. We staan in hal 9 met een kraam vol Fat Lava, Europees (incl. Scandinavisch & Italiaans)  keramiek & glas en meer!

This Little Vase Went to the Market

A few weeks ago we decided to expand this little online business of ours to our first market offline. Now, I have been to plenty of markets to buy goodies, but I had never actually been a seller before. Needless to say, I was super excited, but also a tiny bit scared. What if we wouldn't sell anything? What if people don't actually like my beautiful vintage goodies?

The weeks before the fair we went through all the inventory we have, sorting what we wanted to take, deciding on the perfect mix between Fat Lava pottery and other Mid Century items, making price lists, and packing everything carefully. In addition to that there were a million of little things that needed to be arranged, like arranging carrier bags, getting chairs to sit on, assemble enough change, etc., etc.

We decided to go to a special collector's fair near our home town, as we figured we would have a better chance of selling mid century items here than on a general antique fair.

I tried very hard to make my stand as pretty as possible, grouping certain items together, based on era and color. And I have to say, I'm pretty pleased with the result!

So how was the experience? Did we sell some beautiful vintage goodies? Of course we did! We had two very good days on Friday (build-up & early bird day) and Saturday, but Sunday was pretty slow for us. We sold more glass than Fat Lava, especially Dutch glass was popular (but that makes sense, as it was a Dutch market).

Some things we learned:

• If your fair has a build-up day, use it. We actually sold the most to early visitors and fellow dealers on this day. And I also scored one very nice bargain myself.
• In addition to that, come early in the morning to the fair. It'll give you some time to re-arrange stuff, and the people looking for the best stuff will be there early as well.
• Don't forget to arrange change, it sucks if you have to ask fellow dealers for it.
• Bring business cards with the address of your online venue.
• Smile!

• Try to make a chat to everyone that stops for your stand, and give people your business card. You brought them with a purpose , and even if people didn't buy something, if they are interested, they might purchase something later.

• Talk to your fellow dealers. It's nice to have a chat, and most of the dealers are willing to share valuable tips & tricks.
• If possible, bring someone to help you. Lugging all these boxes to the stand is heavy work, and you'll need that restroom break at some point during the day.

We'll definitely do this again, as it was a great experience. I still have many, many things to learn, so if you have any more tips, let me know! For now, if you want to check out my goodies, go have a look at www.vaseomania.etsy.com.

Fancy a Cuppa Tea?

Although I mainly buy and sell West-German Fat Lava pottery and Mid Century glass as I collect these items myself, I do see a lot of wonderful other vintage or antique items when visiting fairs or shops. And being blessed with the collectors gen, sometimes you just fall in love with something, and you need to buy it.

A few weeks ago me and my husband were browsing one of the last outdoor markets of the year, it was lovely weather and there were a lot of sellers, and we found a plethora of goodies. Two of my favorite finds that day were tea-themed, and they complement each other perfectly!

First of all, we came upon this fab teacup and saucer. This isn't any old teacup, but proper British bone china. This piece was made as a commemorative item for the wedding of Prince Charles and Lady Diana Spencer by the company Regency China Ltd, founded in 1953 in Stoke-on-Trent, Staffordshire. As it was made for the Royal Wedding, we can date it exactly to 1981, which is always lovely.

Commemorative cup for Charles and Diana by Regency China Ltd, 1981

Sadly I wasn't yet around in 1981, so I don't have any memories of that royal wedding, but I do remember seeing lady Di on the television during my childhood, and thinking what a beautiful and stylish lady she was.

Lady Diana, collage courtesy of fabsugar

Although I realize an enormous amount of commemorative goodies must have been made for the Royal Wedding of Charles and Diana, just as was the case for the Royal Wedding of William and Kate, I do think some items are good investments that have the potential to become real collectibles. This cup and saucer are quite high quality and have some lovely transfer prints, in pretty pastel colors. However, I mainly fell in love with it because to me this item is so quintessentially British, and I've had a thing for the UK ever since I was a little girl.

Now, I was already a happy bunny after finding the teacup and saucer, but things were about to get even better! One of the other sellers was selling this stunning set of six Mid Century silver demitasse spoons. Each spoon has a different color of enamel, they come in their original box , and look like they were never used. How can you not fall in love with these, they are so pretty!

Egon Lauridsen Mid Century Danish silver enamel spoons

The spoons were made by Egon Lauridsen from Denmark. This silver smith worked in Copenhagen, and the particular mark on this spoons was used between 1936 and 1966. Sadly, I couldn't find more information about the maker. It does seem like this kind of enamel on silver items were common in Scandinavia in the fifties and sixties; in addition to spoons, bowls and cruet sets, a lot of silver on enamel jewellery can also be found.

Image courtesy of Veilinghuis Peerdeman

I have to admit that I have a bit of a weak spot for enamel on silver, and especially guilloche enamel. A few years ago I was at a local auction where I spotted the most beautiful silver miniature powder compact with green enamel guilloche decoration. It was made in a way that you could wear it as a pendant on a necklace. It even had the original little powder puff. Although I caught a bit of auction fever during bidding, I still wasn't able to purchase the compact. I regret not buying it until today.

Although it is obviously not the same, finding these pretty little teaspoons really made my day!

My First Fair!

Do you life in the Netherlands, and would you like to browse our items offline? You'll be able to see all the items in my Etsy shop and more on the 2nd and 3rd of November at the Collectors Fair in Nieuwegein (near Utrecht).

Hou je van vintage items en West-Germany vazen en wil je mijn vintage spulletjes liever in het echt bekijken? Op 2 & 3 november sta ik met een grote collectie Duits keramiek uit de jaren zeventig, Mid Century glas en andere items uit de jaren 50, 60 en 70 op de Grote Verzamel- en Curiosabeurs van Verzamelend Nederland in de Home Boxx in Nieuwegein!

Chariots of Fire

Remember the classic Egyptian inspiration for this Uebelacker vase that I wrote about a few weeks ago? Well, I have another German take on the classics for you today!

As we have had amazing autumn weather for the last two weeks, we decided to pick up my parents (who love a bit of antique-hunting themselves - I didn't get this passion from a stranger) and drive to Germany for the last few outdoor markets of this year.

These treasure hunts are what made me start collecting and selling vintage goodies in the first place. The thrill of the find, the feeling of anticipation and excitement on the way to the first market; you never know what you might find. We've had times when we came away with one small vase, but luckily we've also had trips were we returned with a car full of goodies.

This time we found some lovely items, the weather was good, it was great to spend time with my parents, people understood my German, and we had a Bratwurst. What more can one wish for?

One of the most enjoyable finds was this stunning baby blue vase with a décor of horse-drawn chariots, made by Jopeko. We found this beauty on the biggest market of the day, which mostly had people selling new items, and only a few sellers of used items. It is always difficult to predict if this will be the case in Germany, as both types of markets are called Trödelmarkt.

Jopeko 509-18, design from 1958

  

Even though this market didn't seem to be what we were looking for, we still decided to do a quick round, and at the last stand I spotted this vase, standing at the back of the stall. The lady who sold the vase told us that it was given to them by a Greek neighbor, and told them that it was a souvenir from Greece! At that time I couldn't read the markings on the vase, but I was still pretty sure that it was a fifties or sixties vase made by a West-German factory, so I bought it anyway.

When we came home, and it was time to do a bit of research, I found out that the vase is actually marked Foreign on the bottom, and not the usual West-Germany. I'm still wondering if the neighbor did actually buy the vase in Greece and brought it back to Germany, or if he bought it in Germany and didn't tell them or the story was remembered incorrectly.

Greek Amphora, British Museum

My first hunch, based on the shape of the vase, was that it was made by Kreutz or possibly by Jopeko. The sweet folks on the Pottery and Glass forum helped me out again, and they confirmed that it was indeed made by Jopeko. The shape of the vase was designed in 1958. This décor can also be found in black on red, and black on brown, even though in that case the chariots are in relief, and not impressed, as is the case with this example.

The image of horse-drawn chariots was of course based on decorations on ancient Greek and Roman vases, and this masculine, powerful image  was often used on West-German pottery, for example by Ruscha on wall-plaques and by Scheurich on floor vases.

The black on the light blue background works extremely well, and the slender handle make this a very elegant vase. Although the decoration is clearly inspired by the classics, the shape is quite innovative, and very Mid Century Modern.

I would love to hear if you have any clues if the vase might actually have come from Greece, if you have similar stories, please leave a comment!

Mid Century Modern Times

Ever since I heard that some of the West-Germany pottery factories were involved in making clocks, I've been hoping to find one. During my 8+ years of collecting I had never been so lucky, although I saw on the internet forums that there were plenty of fellow collectors who managed to find lovely examples.

That was until a few weekends ago when I biked to one of the neighboring villages to visit a  fair. There were a lot of clothes  and some antiques on sale, but I couldn't see anything remotely resembling a piece of West-German ceramics. I was already starting to wonder why I biked the whole way down here (it was quite a windy day). And then I saw it! Tucked away behind some spice jars and oven dishes stood this beautiful slate gray seventies clock! Could it be that I was super lucky and this was not just a seventies clock, but a GERMAN seventies clock as well?

Kienzle Boutique clock, body made by Carstens Tönnieshof

The first thing I noticed after the vendor passed it to me was the name Kienzle Boutique, confirming that it must indeed be a German clock! Kienzle is one of the oldest clock and watch making factories in Germany, they started manufacturing in 1822, and are still in existence today. The Boutique line was launched in the seventies, and targeted young, hip buyers that loved design. This line included metal, plastic, and ceramic items. Most items in this boutique line were colorful, and typically seventies in design and décor.

  

So far, so good. But when looking for vintage items, there is always the question of condition. You sometimes encounter the most amazing pieces, and it is such a turn-off when you spot that large chip or crack three seconds later, after the initial shock of finding the item cooled down a bit. (I'm ashamed to admit that there have been occasions when I was SO happy about I find that I became blind for damages to items, and didn't notice them until unpacking the item at home.) But in this case the face of the clock is in perfect vintage condition! Obviously I couldn't leave it, so I purchased the item and happily took it home. For now it is happily ticking away the time in my kitchen.

There still was a bit of research left to do (my favorite part), as I would love to know who actually made the clock. I had read that both Herbolzheim Keramik - a company that also made kitchen ware and wall plates - and Carstens Tönnieshof  made ceramic bodies for Kienzle. Based on that info and comparable examples I figured this one was probably made by Carstens, but I wasn't sure. Luckily the lovely folks on the pottery and glassforum were able to confirm for me that this item is indeed made by Carstens Tönnieshof voor Kienzle.

So there you have it! My first West-Germany pottery wall clock. I love the Mid Century Modern look of this clock, with its simple square shape, nice clean lines and well placed red and blue color accents. The thick metal hanging chain gives it that characteristic seventies feel. Carstens and Kienzle have produced a great piece of art in this collaboration!

Serious Business

It was such a nice surprise this afternoon coming home to my beautiful, freshly printed business cards from the wonderful folks at moo.com! My husband has very kindly designed them for me with the versatile and easy tools available at Moo, and they came out wonderful. I love the clean design, and they are printed on pretty, thick, creamy paper

We've put a lot of hours and enthusiasm in the blog and Vase-o-mania shop during the last few weeks, so it is really cool that things starting to look slightly more professional, and thus more real.

I can't wait to be handing these out, it'll be a pleasure to do so. We've been treasure hunting for plenty more Fat Lava pieces and vintage gems to put in the store over the coming weeks, so make sure to check it out!

Spotting UFOs

Whilst preparing some listings for my Etsy market, I came across another vase from my collection that is clearly inspired by the space age from the sixties and seventies, just as the Walther Gerhards UFO vase. In fact, this vase also looks a lot like an UFO! This stunning vase, model 179 17, was made by Dümler & Breiden, probably sometime during the 1960s.

Dümler & Breiden UFO vase

Dümler & Breiden were located in Höhr-Grenzhausen, which lies in the famous Westerwald pottery area, and the company existed from 1883 until 1992. They made pottery that ranges from very traditional to more experimental, even though in my opinion, they never were so innovative (especially shape-wise) as companies such as Roth. The shape of this vase must be one of their more exciting and cutting-edge designs, and is very much by the Space Age.

The Space Age influence is not limited to West-German pottery, but it had a lot of influence on design during the 50s and 60s in general . During this era the first manned crews went into space, and we were aiming for the moon. Even though science fiction movies and books inspired the first spacy designs, the Space Age design-craze got a new impulse with Sputnik, the first artificial earth satellite that was launched into an orbit around space in 1957.

Replica of Sputnik 1

 The influence of the space age could be seen everywhere during the fifties and sixties: in architecture (in particular in the famous Googie architecture in the US), in the details of cars, in clothing, and design of televisions and radios, and much, much more. Of course West-German pottery couldn't stay behind! Luckily this resulted in some pretty fun vases, of which this is a great example.

Do you have any cool examples of West-German pottery influenced by the Space Age? Feel free to post them in the comments section, I would love to see them!

Walk Like An Egyptian

West-German pottery often drew inspiration from historical examples, both in shape and in décor. Last week when I was unpacking a box that came from storage, I re-stumbled upon a cute little vase by Übelacker that was clearly influenced by Egyptian art and ceramics, but in a very twentieth century way.

1960s Übelacker vase

The shape of this vase is pretty basic. If someone asked me to draw an archetypal shape of a vase, there is a big chance that I would come up with a similar form. Although it is not exactly the same, it seems based on the shape of a Roman Amphora (although similar shapes were also found in excavations in tombs in Egypt), but without the handles. The mottled yellow background very much reminds me of Egypt, as it is a sort of sandy yellow, reminiscent of the desert.

But what makes the vase so much fun for me is the décor! The men walking with their hands up in the air immediately reminded me of the song from The Bangles, Walk Like an Egyptian. I can remember the Bangles-ladies walking in the same way in the video of the song.

Seeing this vase, and rewatching the video by The Bangles did make me wonder: did Egyptians actually walk like an Egyptian? The image we have of them walking in this way seems to come from the Ancient Egyptian relief paintings, where figures were depicted showing both the profile of the face and the body. The placement of the hand (one arm up, one horizantal, fingers pointing out) must have been added later, as I never saw an Egyptian fresco in this gesture. It slightly reminds me of Balinese dancing? Maybe these two styles were successfully mixed to become The Bangles dance.

Measuring and recording the harvest is shown in a wall painting in the Tomb of Menena, at Thebes,
source: Guinness E. Alma

Reading a bit more about the topic, I found out that there are much earlier examples of these Egyptian moves. One of the earliest examples I could find are the Sand Dances by the British trio Wilson, Keppel and Betty. These 'eccentric dances' were the highlight of their show, during which Wilson and Keppel would dance on a stage covered with sand, dressed up in Arabic inspired costumes. They were inspired by the discovery of the tomb of King Tutanchamun by Howard Carter in 1922. The trio performed all over the world (with several different 'Bettys') from 1919 until 1963. I would like to believe that one of the designers at Übelacker saw their performance in Germany and was inspired to create this vase!

I see Vases, they're everywhere!

My husband and I went on holiday to the United States this year. Normally I love to scour the local antique and vintage boutiques for West-Germany vases during my vacation, and if we travel by car, we also love to check out any flea markets in the area for vintage gems, but as we were in the US I figured I wouldn't encounter any items to add to my collection.

Can you imagine my delight when we were shopping for clothes in one of the great American icons, Macy's, in San Francisco and we encountered a display of blue/white/red West-Germany vases? And these weren't some boring old standard vases, most of these were actually really pretty! Sadly the vases weren't buy one get one free, I would have loved to take these home with me!

Orange UFOs

From the first time I picked up one of the vases made by Walter Gerhards KG, they became one of my all-time favorite companies that made West-Germany vases during the sixties and seventies.

A lot of mystery still surrounds this maker, and our knowledge is definitely fragmentary. They were first thought to be called Söndgen, later Kera Keramik, but we only recently found out that the company was actually  called Walter Gerhards KG, and they were located at the epicenter of the German ceramics industry in Ransbach - Baumbach, located in the famous Westerwald area. The company was probably led by Mr. Walter Gerhards himself, as he is listed as the liable person for the company in the companies registry (Handelsregister). They existed only for a short period of time: from 1959 until January 25, 1978, when it was deregistered. During this period the factory apparently produced items under the names "WG Kera Modern" and "WG Exquisite Kera Modern" from 1959 until 1974, and from 1974 until 1978 under the name "Gerhards" and "Gerhards Gmbh". Labels on these vases seem relatively rare, but most vases are marked in a specific way, that can help us recognize them.

Because the company only existed for 19 years, this would logically mean that the output from Walter Gerhards KG is much smaller, and thus rarer, than the output from large and long existing companies like Scheurich or Ruscha.

So why do I love the vases that were made by Walter Gerhards? The ranges produced have strong shapes, that for me are characteristic for the Mid Century Modern period, mostly with sharp angles combined with curved lines.  Some shapes are unlike anything any other company ever made, and they are very innovative.

One of my favorite shapes is the 1040, or as we like to call it in our family: the 'UFO vase'. I can imagine that the design of the vase was inspired by the space race of the 1950s and 1960s - or by the interest in extraterrestrial life, as was not uncommon in design of this era.

"Look! A flying Walter Gerhards vase!"

For me this design is the perfect example of a combination of strong straight lines with curvy lines, something West-German pottery is renowned for. This vase comes in several glazes, so far I have 5 and a few small variations, but my favorite is the version that comes with thick black lava and is combined with a beautiful red/yellow/orange glaze, as pictured below.

As you can see, these wonderful outlandish shapes were combined with some of the most beautiful glazes. Walter Gerhards uses daring color combinations such as bright green on black, purple with yellow, and orange with black. For me these colors ooze the seventies. In addition to colors, a lot of attention in the design is paid to using different textures. Thick lava drippings are combined with extremely glossy glazes, and matte backgrounds are mixed with shiny glazes.

Another important aspect for me is the high quality of these vases. The vases are quite heavy and the glazes seem expensive. They look more like studio vases than mass-produced vases, but I'm not sure if that is true. Unlike some companies, I have never seen a Walter Gerhards vase with a production error or with unglazed areas. All in all, they are just nice to handle, to touch!

In my opinion Walter Gerhards is still very much underrated by West-Germany collectors, and maybe this is because the output of the factory seems small and so little information is yet known about the company. Hopefully we will find out some more information about Walter Gerhards and his company in the future. I would definitely recommend picking up some pieces now, as bargains can still be found,  if only because they make a wonderful addition to the collection of any Fat Lava lover!

High quality glazes and beautiful shapes

Do you have any wonderful examples of Walter Gerhards pottery, or new glazes on the 1040 that you want to share! Let me know in the comments section, I would love to see them!

A lot of theinformation used on this blog was shared by members on the amazing pottery & glass forum. If you love West-German pottery and have never visited the site, please go and have a look! www.potteryandglass.forumandco.com

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A volcanic welcome!

A volcanic welcome!

Almost exactly 8 years ago I picked up my first West-Germany vase at a yard sale of a local nursing home. It was a Scheurich 517-38, with the Lora décor. It even had the original label. Although it was love at first sight, I never suspected that buying this one item would lead to a collection of several hundred (mostly fat lava) vases, and a life long passion for all things vintage.

The smallest Lora ever?

The Lora vase still has a proud place in the displayed part of my collection. The décor became one of my favorites and I have collected several items with the same glaze over the years. As these vases have given me so much joy, I would love to share some of the stories and history behind them. You can expect to find information on the factory and glazes, but I will also share some of the anecdotes behind personal favorites in my collection and new finds. It'll mostly be about West-Germany pottery, but as I also encounter other wonderful vintage items during my scavenging, so I wouldn't want to keep these treasures from you.

I hope you'll enjoy my stories and these vases as much as I do. If you already love West-Germany pottery and have your own amazing collection, I hope you'll be able to find that nugget of information that you didn't knew yet, and if you're new to this Fat Lava thing, who knows, maybe I can spark a new passion?

Enjoy!

Leanne