Tuesday 24 September 2013

Mid Century Modern Times

Ever since I heard that some of the West-Germany pottery factories were involved in making clocks, I've been hoping to find one. During my 8+ years of collecting I had never been so lucky, although I saw on the internet forums that there were plenty of fellow collectors who managed to find lovely examples.

That was until a few weekends ago when I biked to one of the neighboring villages to visit a  fair. There were a lot of clothes  and some antiques on sale, but I couldn't see anything remotely resembling a piece of West-German ceramics. I was already starting to wonder why I biked the whole way down here (it was quite a windy day). And then I saw it! Tucked away behind some spice jars and oven dishes stood this beautiful slate gray seventies clock! Could it be that I was super lucky and this was not just a seventies clock, but a GERMAN seventies clock as well?

Kienzle clock, Carstens Tönnieshof, West-Germany pottery
Kienzle Boutique clock, body made by Carstens Tönnieshof
The first thing I noticed after the vendor passed it to me was the name Kienzle Boutique, confirming that it must indeed be a German clock! Kienzle is one of the oldest clock and watch making factories in Germany, they started manufacturing in 1822, and are still in existence today. The Boutique line was launched in the seventies, and targeted young, hip buyers that loved design. This line included metal, plastic, and ceramic items. Most items in this boutique line were colorful, and typically seventies in design and décor.
  
So far, so good. But when looking for vintage items, there is always the question of condition. You sometimes encounter the most amazing pieces, and it is such a turn-off when you spot that large chip or crack three seconds later, after the initial shock of finding the item cooled down a bit. (I'm ashamed to admit that there have been occasions when I was SO happy about I find that I became blind for damages to items, and didn't notice them until unpacking the item at home.) But in this case the face of the clock is in perfect vintage condition! Obviously I couldn't leave it, so I purchased the item and happily took it home. For now it is happily ticking away the time in my kitchen.

Kienzle clock, Carstens Tönnieshof, West-Germany pottery
There still was a bit of research left to do (my favorite part), as I would love to know who actually made the clock. I had read that both Herbolzheim Keramik - a company that also made kitchen ware and wall plates - and Carstens Tönnieshof  made ceramic bodies for Kienzle. Based on that info and comparable examples I figured this one was probably made by Carstens, but I wasn't sure. Luckily the lovely folks on the pottery and glassforum were able to confirm for me that this item is indeed made by Carstens Tönnieshof voor Kienzle.


So there you have it! My first West-Germany pottery wall clock. I love the Mid Century Modern look of this clock, with its simple square shape, nice clean lines and well placed red and blue color accents. The thick metal hanging chain gives it that characteristic seventies feel. Carstens and Kienzle have produced a great piece of art in this collaboration!

Friday 20 September 2013

Serious Business

It was such a nice surprise this afternoon coming home to my beautiful, freshly printed business cards from the wonderful folks at moo.com! My husband has very kindly designed them for me with the versatile and easy tools available at Moo, and they came out wonderful. I love the clean design, and they are printed on pretty, thick, creamy paper

Vaseomania Fat Lava & Vintage on Etsy & Ceramic Eruption blog
We've put a lot of hours and enthusiasm in the blog and Vase-o-mania shop during the last few weeks, so it is really cool that things starting to look slightly more professional, and thus more real.
I can't wait to be handing these out, it'll be a pleasure to do so. We've been treasure hunting for plenty more Fat Lava pieces and vintage gems to put in the store over the coming weeks, so make sure to check it out!

Tuesday 10 September 2013

Spotting UFOs

Whilst preparing some listings for my Etsy market, I came across another vase from my collection that is clearly inspired by the space age from the sixties and seventies, just as the Walther Gerhards UFO vase. In fact, this vase also looks a lot like an UFO! This stunning vase, model 179 17, was made by Dümler & Breiden, probably sometime during the 1960s.

Dümler & Breiden Fat Lava West-Germany vase, vase-o-mania on Etsy
Dümler & Breiden UFO vase

Dümler & Breiden were located in Höhr-Grenzhausen, which lies in the famous Westerwald pottery area, and the company existed from 1883 until 1992. They made pottery that ranges from very traditional to more experimental, even though in my opinion, they never were so innovative (especially shape-wise) as companies such as Roth. The shape of this vase must be one of their more exciting and cutting-edge designs, and is very much by the Space Age.

The Space Age influence is not limited to West-German pottery, but it had a lot of influence on design during the 50s and 60s in general . During this era the first manned crews went into space, and we were aiming for the moon. Even though science fiction movies and books inspired the first spacy designs, the Space Age design-craze got a new impulse with Sputnik, the first artificial earth satellite that was launched into an orbit around space in 1957.

Replica of Sputnik 1

 The influence of the space age could be seen everywhere during the fifties and sixties: in architecture (in particular in the famous Googie architecture in the US), in the details of cars, in clothing, and design of televisions and radios, and much, much more. Of course West-German pottery couldn't stay behind! Luckily this resulted in some pretty fun vases, of which this is a great example.

Do you have any cool examples of West-German pottery influenced by the Space Age? Feel free to post them in the comments section, I would love to see them!

Wednesday 4 September 2013

Walk Like An Egyptian

West-German pottery often drew inspiration from historical examples, both in shape and in décor. Last week when I was unpacking a box that came from storage, I re-stumbled upon a cute little vase by Übelacker that was clearly influenced by Egyptian art and ceramics, but in a very twentieth century way.

Uebelacker sixties West-Germany vase at vaseomania on Etsy
1960s Übelacker vase


The shape of this vase is pretty basic. If someone asked me to draw an archetypal shape of a vase, there is a big chance that I would come up with a similar form. Although it is not exactly the same, it seems based on the shape of a Roman Amphora (although similar shapes were also found in excavations in tombs in Egypt), but without the handles. The mottled yellow background very much reminds me of Egypt, as it is a sort of sandy yellow, reminiscent of the desert.

But what makes the vase so much fun for me is the décor! The men walking with their hands up in the air immediately reminded me of the song from The Bangles, Walk Like an Egyptian. I can remember the Bangles-ladies walking in the same way in the video of the song.


Seeing this vase, and rewatching the video by The Bangles did make me wonder: did Egyptians actually walk like an Egyptian? The image we have of them walking in this way seems to come from the Ancient Egyptian relief paintings, where figures were depicted showing both the profile of the face and the body. The placement of the hand (one arm up, one horizantal, fingers pointing out) must have been added later, as I never saw an Egyptian fresco in this gesture. It slightly reminds me of Balinese dancing? Maybe these two styles were successfully mixed to become The Bangles dance.

Measuring and recording the harvest is shown in a wall painting in the Tomb of Menena, at Thebes,
source: Guinness E. Alma

Reading a bit more about the topic, I found out that there are much earlier examples of these Egyptian moves. One of the earliest examples I could find are the Sand Dances by the British trio Wilson, Keppel and Betty. These 'eccentric dances' were the highlight of their show, during which Wilson and Keppel would dance on a stage covered with sand, dressed up in Arabic inspired costumes. They were inspired by the discovery of the tomb of King Tutanchamun by Howard Carter in 1922. The trio performed all over the world (with several different 'Bettys') from 1919 until 1963. I would like to believe that one of the designers at Übelacker saw their performance in Germany and was inspired to create this vase!