Pulling in the Reins

Soon after I started collecting West-German Pottery, I learned about Ruscha wall plates. They are stunning, and I loved the idea that you could have a ceramic painting on your wall. Long story short, I wanted one. Even more specifically I wanted the large Ruscha wall tile with horses and a chariot, as the oranges and blues against the copper background are so pretty, and it such a strong image.

Back then, I was a student without a car, so my budget and hunting grounds were limited. After a few months, I got lucky and found a relatively cheap one online. My then boyfriend was so kind to drive me to Amsterdam to pick it up. The man who sold it had an AMAZING mid-century modern interior, which became my new interior decorating life goal if I ever got a real adult house.

When I proudly showed the tile to my parents, my dad told me that his parents had the exact same tile in their hallway! I must have seen it a hundred times, and it might have subconsciously influenced my style later, but I have to admit I couldn't actively remember it. My grandparents had a beautiful interior, with many antique pieces, but I love the fact that they were hip enough to have had some West-German pottery as well!

Nowadays, my grandparents' tile hangs in my parents' house. My tile had pride of place in my student room, and also in my later homes. It currently hangs in my "library".

A few birthdays ago I was surprised to find that there are variants of this wall tile, as my parents gifted me a beautiful vertical variant. (If you have read more of my blog, you'll know that my parents are the best Birthday Gift Givers ever, and many of the best pieces in my collection are thanks to them.) My collection got expanded with a tile with only the horses as well.

As much as I love all three tiles, I do think the design with the four horse chariot is the best. For me it is an iconic Ruscha item, and I love that the design has its roots in history. As far back as Egyptian times, there are depictions of horse chariots, as you can see here. Scheurich and Jopeko also made vases with this design. I think it was one of the designs on wall times that Ruscha produced most, as you see it reasonably often. 

Last year I was surprised at a flea market to find another version of the four horse chariot design, but this time with a light background! I hadn't seen that color combination ever before, but it works really well. 

For a few months this has adorned my walls with the other tiles, but as I was surprised with another Ruscha wall tile, a rare and beautiful bull, I have now put it in the shop. I have an agreement with my husband that if I add a piece, I also have to sell one. (This counts for books, my other love, as well). As much as I love West-German pottery, I just cannot keep it all!

As Ruscha made many beautiful wall tiles, I would love to hear (or even see) what your favorite is in the comments! 

Man Gave Name To All The Animals

When I started collecting West-German Pottery, I was solely focused on vases. They are of course easily recognizable by the W.-Germany markings on the bottom. Then one day I was at a local church sale and I spotted a little rhino bank that had the same markings on the bottom. What??? In addition to crazy coloured and textured vases, these Germans also made pottery animals? My interest was piqued.

I picked up the Rhino, which I sadly don't have in my possession anymore - I just have too many stuff, and this had to go - and did more research.

Some internet trawling landed me on the fabulous website http://www.ginforsodditiques.com/ where I found old images of a Ruscha catalogue, including a lot of animals! 

WOW, so many animals!

This was the first time I saw an image of the famous Ruscha Bull, and I just needed to have one. At the time I worked for an auction house, and I was very much into checking out the catalogues of all the medium and smaller auction houses in the neighbourhood for West-German pottery.

And lo and behold, after a few months a bull turned up. IN VULKANO GLAZE. Luckily for me, it wasn't described as being Ruscha, and although it was slightly more than I wanted to pay (auction fever!), I got it for a good prize.

The bull on the left started it all

I still find it absolutely stunning. It is such a strong design. This vulkano glazed bull has pride of place in my living room.

Thanks to my husband and parents, my collection has now grown quite a lot. It's quite the zoo!

Bull on the left and right are not Ruscha, bull in the middle is.

Some of my favourites are the beautiful blue bull that was gifted to me for Christmas a few years back, and the stunning Vulkano elephant.

I still don't know why Ruscha made so many of these animals. But they definitely seem to have the largest zoo. I know that some other factories like Bay (bull, elephant, some animal shaped money banks), Karlsruhe (bulls), Pan (bird, kangaroo), and Steuler (animal shaped money banks) have made animals, but they always seem a minor part of the overall production. For Ruscha they seemed to be an important part.

The catalogue on Ginfors odditiques also shows a statue of the Three Wise Monkeys. I would love to add this to my collection, but I have never seen it in real life or online. A few weeks ago I thought that it finally happened, but it turned out to be this cute version by Goebel. Although this is also very pretty, I still hope I'll find the Ruscha version one day. Any leads would be  appreciated ;)

Eye candy

It's a bit of a blogging cliche, but I don't have a lot of time to write new posts at the moment. But I do have some eye candy to share! We have moved house this summer, and I now have an entire attic that I can fill with vases. I'm such a happy camper! 

And this is only the beginning. I'm still sorting through boxes that were stored at my parents house and deciding what may stay and what will be sold. So if you're interested in West-German pottery, keep an eye on the store. I've already added part of my Es-keramik collection, but there will be plenty more!

Teenie Weenie Polka Dots

West-German pottery is such a fun subject, as I'm always learning new things and making new discoveries. A while ago I encountered a factory that was unknown to me: Vereinigte Zeller Fabriken Georg Schmider. I know that's a whole mouth full, but their work is a lot more fun than the name.

The vase that started my new passion is this bad boy:

I love it. It just makes me happy looking at it. I can't imagine anything like that being made nowadays. It is just so mid century, so pop art. I do think it's the glaze that makes the vase, as the baluster inspired shape is actually really traditional.

Fast forward to two weeks ago: returning from their trip to the UK, my parents brought me this fantastic set of animals.

Doing some research, I found out these are also by Zeller! They are absolutely fantastic, so much fun. I specifically love that they are so humorous and colorful. Perfect example is the face of the fish:

So, what do we know about these, apart from how great they are?

There has been a pottery as early as 1794 in Zell am Harmersbach in Germany, in 1898 the factory that produced the wares above was taken over by Georg Schmider. In the early 20th century they produced a lot of traditional faiance, also some beautiful pieces in the Art Nouveau style.

In 1950 the factory hired Anneliese Beckh. A brilliant move as far as I'm concerned, as she designed all the pottery until 1983, including these lovely colorful bits.

Anneliese Beckh was also responsible for the cool Scoophead cats made by Zeller. I don't have any of them in my collection (yet!), so no pictures, but if you would like more information on them, there is a lovely Facebook group, which you can find here.

I'm in the 313

The longer I've been collecting, the more I'm drawn to the ceramics made by Ruscha. Something in their designs is so elegant, especially those from the sixties. And where I loved bright colors and thick, runny fat lava when I started my collection, I now enjoy the slightly more subdued, earthy tones used by this factory.

In an earlier post I already showed my own collection of vases with the Vulkano glaze, in this post I want to highlight the 313. I think it is rightfully the most famous shape by Ruscha.

I mean, look at it! It's so elegant!

The vase was designed by Kurt Tschörner in 1954. The 313 went through a lot of transformations.

Somewhere in the 1960s, Ruscha decided that the model needed to be changed. The handle got thicker. I suspect this made the jug easier and cheaper to produce, maybe it also prevented that a lot of the vases from failing in the production process.

Later in it's history both the handle and the spout got bigger, which distinctly changed the form of the vase.

The 313 comes in many glazes, well over a hundred I believe. There is a great Facebook page displaying these wonderful glazes. These were produced until quite late, possibly as late as the 1990s (I think this brown/gray version might well be from that age).

Forrest Poston wrote a great article about the 313, where he discusses the changes in shape in more detail. You can find it here.

I would love to own a 313 with the original shape one day, with Vulkano glaze. Decor Filigrain would be fine as well... a girl has gotta dream, right?

It's About Time

Last year I wrote about finding my first West-Germany clock. After that first lucky hit, I found many more beauties. I have to admit that my first find is still my favourite, and I haven't found any more examples by Carstens. Lately however, I've come across a number of clock bodies which were produced by the company Herbolzheim Keramik.

Herbolzheim Keramik must be one of the unsung heroes of West-German pottery. As far as I know there isn't any information available about the company. Apart from the fact that the factory was established in…. you guessed it… Herbolzheim, there is just nothing, nada! (If you have any information, I would love to know!) But they were prolific producers of West-German pottery.

I did manage to find out (by checking a lot of online listings) that the company seems to only have produced kitchenware, mainly cake plates, and many, many bodies for clocks. I also found a few wall plates, which were based on the designs for the clocks. Not a single vase in sight!

It looks like they started producing kitchenware, as a lot of it has the typical pastel 50s/60s colours. I love the clocks though, as they are über seventies! The glazes are fantastic: oranges with reds, yellow with blue, lime green on a forest green background. Wow! These clocks are very vibrant.

Most are based on a rectangular shape and are cool because of the glazing, but some have fantastic shapes as well.

Herbolzheim probably delivered the clock surrounds to the factories who produced the mechanism. I So far I have seen a number of factories such as Quarz, Quartz, Zentra, Junghans and others all use the ceramic bodies by Herbolzheim.

The best thing about these clocks is that they are so usable! When you reach that point where your house just cannot contain another vase (and most of us West-German pottery collectors know this feeling), you can go looking for one of these clocks. Every house needs a clock, right?

Ceramic Lava

A while ago I showed you two of my favorite pieces from my own collection, two beautiful Ruscha bulls. The bull with the amazing blue/purple glaze was a gift from my parents, the other orange glazed one was actually the first bull in my collection, which I bought in a local auction. This orange glaze is one of my all time favorite glazes ever produced on West-German pottery.

The glaze was produced by Ruscha, designed by Otto Gerharz in 1959. Ruscha called the decor Vulcano; a very apt name indeed, as it reminds me of real lava and vulcanoes, especially because of the fiery orange glaze that is divided by rivers of darker greens. Most examples of this glaze have a lovely organic look and feel, as this isn't a smooth glaze, which contributes even more to the idea of lava.

The "West-Germany historians" often see this glaze as the turning point for West-German pottery. The pre-volcano glazes were typical of the fifties, mostly with pastel colored decorations. They were very pretty, but also a bit meek. 

Vulcano was one of the first daring glazes, which would be the start of two decades of innovative and experimental glazes and forms. Many people say that the dripping of the Vulcano glaze is the first step onto the road of the real Fat Lava glazes that marked the 1970s.

In addition to being the first step on the road to the future, I also feel that the glaze has roots in a long tradition of pottery. The glaze reminds me of the Japanese Raku wares, but also of Chinese oxide glazes.

The glaze isn't in production anymore, as heavy metals were added to make it. I do think that is a good thing, and I hope it will stay that way, because it makes the life of collectors so much easier!

Personally, the thing that draws me to this glaze is the diversity. Every single piece of Vulcano in my collection is different, and all are beautiful. The glaze is so tactile, and organic. The pieces that have a lot of green are stunning, they look like something that could have come from nature. 

Over the years, I was lucky enough to encounter several pieces of Vulcano glaze, and although they are getting more difficult to find, I managed to pick up this great pocket vase this winter. My other current favorite items are the extremely elegant 339 shape, the large 315 and, of course, the bull.

Although I love my collection, there are still two pieces on my wishlist that I hope to add in the coming years: a deer, and the classic 313 pitcher. A girl can hope, right? 

Catching a Christmas Bull by the Horns

I hope everyone had a great Christmas! Mine was lovely, with good company, and obviously way too much food! And gifts! As I already mentioned in my previous post, I was giving some vintage gifts, and I also received a stunning vintage gift from my parents: a Ruscha bull!

As I might have mentioned before, most of the West-German pottery pieces that I sell on Etsy come from my own collection. As I live in a smallish apartment in the middle of town, and my collection is rather large, there is no room to display everything (in fact, most of my collection is kindly on show at my parents house), but I still have a  small part of my favorite pieces on view in our own house.

My all-time favorites are still the famous Roth vases, which I will show you another day, but the ceramic bulls, made by Ruscha come at a very close second place.

Ruscha was founded by Rudolph Schardt in 1948, the name is a combination of the first few letters of his first and last name. The factory has been existence from 1948 until 1996, when the name and all the designs were bought by Scheurich. I'm not a 100% if they still do this nowadays, but Scheurich produced the Ruscha designs in the late 1990s and 2000s under the name Ruscha Art.

Two of the most important names (and especially relevant to the bulls and this post) are Otto Gerharz and Kurt Tschörner. Otto Gerharz was the production designer for Ruscha from 1951 until he started Otto Keramik in 1964. He is the man responsible for designing the famous and very desirable 'Vulcano' glaze. Most people see this glaze as the first step towards the later Fat Lava glazes that make West-German pottery so desirable today.

Kurt Tschörner was a designer for Ruscha, who created many of the shapes, including the famous 313 model in 1954. In the 1960s Kurt Tschörner designed a line of animals for Ruscha, including the magnificent bulls, that came in three different models. The model that I have in my collection also came in two different sizes, mine being the larger version.

The catalog, that has been generously made available by Forrest Poston on http://www.ginforsodditiques.com/rus.cat.cover.html shows that a large bull originally cost 45 Deutsche Mark, which was a lot of money back in the days. In comparison, the most expensive décor on a 313 vase was 10,90 DM. In 1966 the average yearly income in Germany was just under 10.000 DM, so spending 45 DM on a ceramic bull, must have been a luxury. Hence, these were probably not sold in large numbers, making them rare nowadays.

So can you imagine how happy I was when I unpacked this gorgeous bull? It has the most beautiful blue and purple shades on a gray background. It's absolutely the prettiest one in my collection. It'll sit very pretty next to my Vulcano glazed bull, that I bought at an auction house a few years ago.

One note of warning when you are thinking about collecting these: I think Ruscha have made these bulls from the 1960s up until they closed in 1996. As they aren't marked, it is (as far as I know) impossible to know if your bull was made in 1969 or 1996. Obviously certain glazes were only used during a certain period (I think the 'vulcano' glaze was only used in the 1960s for example, but I would have to do some more research to verify this), making it possible to date a piece. In addition to that, I have seen some bulls online with the Ruscha Art sticker, meaning they must be post 1996, and made by Scheurich with the original molds (the only other explanation is that Scheurich bought old Ruscha stock and marked them with their label, but I have no confirmation on this, that is just a guess on my side).

Please be aware that some of these bulls are (or at least were for the last few years, I cannot find them on their website anymore) being reproduced by Otto Keramik in several glazes, and can be purchased online, often for a much lower amount than on selling sites. Otto Keramik did not make these to deceive buyers, they are clearly selling these as new on their website. These glazes are rather different from the glazes that Ruscha or even Scheurich used, often much glossier. But I do think it's important information to have before you go out and buy a bull.

Last but not least, I would like to wish you all the best for 2014! I hope it'll be an awesome year, with lots of exciting finds.