A few
weeks ago I read the book Blink by
Malcolm Gladwell. It's a great book, certainly a recommendable read. It
explains the different sort of snap decisions we make, and how they can
influence our behaviour in a positive or negative way.
The book
begins with a case of an old Greek statue, a Kouros, that is brought to the J.
Paul Getty Museum in California. The statue is presented to the museum, they
really want to purchase it, but as it costs an enormous amount of money, they
research it extensively. After their research they decide the statue is the
real deal, and buy it. But, shock and horror,
when some of the specialists in the field later see the statue, they
instinctively know that it is a forgery.
So, how
does this relate to Fat Lava? It very much reminded me of the process of
"hunting" for goodies on markets. When I'm scouring stalls for Mid
Century Modern, I know in a split second if there is something interesting for
me. Even if there are more than a hundred items on the table, I'll spot what I
want immediately, sometimes from three rows across the hall.
The
amazing thing is that this also works with items I have never seen in real life
before. Last weekend I was at a market, and from the corner of my eye I spotted
this beautiful candleholder by Ystad Metall.
I had
only seen images of this online, but it is very high on my oh-how-I-wish-I-will-come-across-one-of-these-in-the-wild-list.
And there it was! As Malcolm Gladwell describes, in less than a second I knew
what it was, and that it really was a Ystad candlestick.
And it is
every bit as beautiful as I imagined. The only thing that surprised me is that
it is slightly lighter than I anticipated.
The
candlestick was probably designed by Gunnar Ander*, somewhere in the 1960s.
Gunnar Ander was a Swedish designer, that lived from 1908 to 1976. He mainly
worked for the Lindshammar glass factory, but was also active for Ystad Metall
for a while.
Although
I cannot confirm this with certainty, the glass discs in the candelabra are
attributed to Kosta Boda, and possibly made Erik Hoglund. It at least is
mentioned that Kosta Boda produced glass for Ystad, so it is likely that these
were also made by them.
For me,
the combination of the translucent glass and the dark metal are what makes this
such a strong design. It's a bold and modern piece. The piece is marked Ystad
Metall on one of the legs.
For now
(although it might at some point become available in the shop) it lives happily
on my beautiful antique writing desk, between part of my collection of Roth
vases, and a Super lamp by Martine Bedin. I think it compares well with these
iconic designs.
*I
believe this is his correct name, but I also see his name described as Gunnar
Anderssen or Andersson in places.